For the student of music, however, an album titled Padharo Mhare Des, and subtitled The Best of Rajwadi Mand, offers valuable insights into maand, the form of Rajasthani music that once flourished in the courts or rajwadas of Rajasthan. You are now subscribed to our newsletters. Proof of the popularity of this beautiful song lies in the fact that innumerable composers and producers have mixed and mashed up versions of the classic, and singers from orientations as diverse as thumri to Indipop have also attempted to interpret the song. Music lovers will, therefore, have to bide their time. Mand And Other Folk Ragas, curated, produced and published by acclaimed sitar artiste and scholar Krishna Mohan Bhatt, who hails from a family of musicians and Sanskrit scholars that has for generations made its home in Rajasthan. Sadly, the album will not be available for purchase till Bhatt finds suitable channels for distribution and sale.

kesariya balam allah zilai bai

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The tracks recorded in the voices of Chiranji Lal Tanwar and Banarasi Babu form part of the maand repertoire that was recorded exclusively for the project. On the other hand, accompaniment to the strong, guttural and androgynous sound of the Rukma-Hakla group is provided by deep, dense alla drums that provide a steady beat to the song. Others show greater affinity to folk music.

Kesariya Balam Lyrics

But they bring to the listener a sense of the rich repertoire of Rajwadi music, of the many varieties of maand like Piloo maand and Jhinjhoti maand, and of the many raginis and ragas like Maru, Sorath and Goond Malhar that form part of the musical treasures of Rajasthan.

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Some include elements of elaboration that seem to overlap with the elaboration considered typical of thumri.

Among the many songs of Rajasthani origin that have acquired massive popularity across India is Kesariya balam aavo sa, kesariha mhaare des…, the classic maand composition made immortal by legendary singers such as Allah Jilai Bai. The album forms part of a five-disc series titled Court Singing of Rajasthan: Sourcing 73 minutes of maand music from varied sources, including private collections, Bhatt has also recorded some of the featured artistes in special sessions, including live concerts.

Mand And Other Folk Ragas, curated, produced and published by acclaimed sitar artiste and scholar Krishna Mohan Bhatt, who hails from a family of musicians and Sanskrit scholars that has for generations made its home in Rajasthan.

The ‘Maand’ mind

It’ll just take a moment. Music lovers will, therefore, have to bide their time.

Wait for it… Log in to our website to save your bookmarks. Liner notes with the ailai tell us that Hindu and Zulai singers from hereditary families of musicians that belong to the Dholi, Damami, Mirasi, Kalavant, Patur, Langa and Manganiyar communities are keeping the tradition alive.

Accompaniment to the tracks reminiscent of thumri is provided by tabla and sarangi, hinting at a dialogue between forms like thumri and maand that we regretfully seem to have lost in our pursuit of specialisation.

Kesariya Balam Lyrics – Song Fr. Rajasthan – Only on JioSaavn

Sadly, the album will not be available for purchase till Bhatt finds suitable channels for distribution and sale. In the past they would receive the patronage of Rajput kings, thikanedars holders of a thikana or a grant of land, the revenue from which belonged to the granteezamindars landholders and nawabs. Proof of the popularity of this beautiful song lies in the fact that innumerable composers and producers have mixed and mashed kesariys versions of the classic, and singers from orientations as diverse as thumri to Indipop have also attempted to interpret the song.

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For the student of music, however, an album titled Padharo Mhare Des, and subtitled The Best of Rajwadi Mand, offers valuable insights into maand, the form of Rajasthani music that once flourished in the courts or rajwadas of Rajasthan.

kesariya balam allah zilai bai

The renditions show remarkable variety. Unfortunately, wllah many of us these names and the music they have recorded for this project may be completely unfamiliar.

kesariya balam allah zilai bai

Your session has expired, please login again. You are now subscribed to our newsletters. But two of the tracks in the voice of Jassi Bai of Jodhpur are vintage recordings that would not be easily accessible otherwise.

Not surprisingly, it has received funding and support from the American Institute of Indian Studies Aiis. As a result, there exist diverse sound recordings of Kesariya Balam that could well engage researchers and scholars from the fields of both music studies and the complex area of intellectual property rights and traditional knowledge.

For while we are busy trashing paashchaatya sabhyata evam sanskriti Western civilisation and cultureorganizations and agencies like Aiis are in many ways helping us conserve traditions like the maand.